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Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas. The visuals are filled with neon lights, flashy clothes I love Rothstein's suits , flashy people and such.
The soundtrack is probably meant to match. But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.
That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City.
So I can understand the motivation, but I'm not sure the final result exactly worked. Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods.
The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be.
For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it.
Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning.
It tends to make it feel even more stretched out, as you keep anticipating that scene. But the slight flaws shouldn't stop anyone from seeing this film, and of course, quite a few viewers feel that there are no flaws at all.
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A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive compete against each other over a gambling empire, and over a fast living and fast loving socialite.
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Trivia One week after filming was completed, the Stage at Pinewood Studios burned down on July 30, This was the second time this had happened, the first being before filming A View to a Kill The filmmakers had just finished using the stage for filming interiors set in Venice for the movie.
Goofs The camera is briefly reflected in a shop window when Bond leaves the bank in Venice. The scene was too detailed, so they changed the sequence to show the explosion of Sam's car and him flying into the air before hovering over the flames in slow motion—like a soul about to go straight down to hell.
Filming took place at night in the Riviera casino in Las Vegas, with the nearby defunct Landmark Hotel as the entrance, to replicate the fictional Tangiers.
According to the producer Barbara De Fina , there was no point in building a set if the cost were the same to use a real-life one.
Several edits were made in order to reduce the rating to R. Casino was released in theaters in the United States on November 22, Upon its release, the film received mostly positive reviews from critics, although their praise was more muted than it had been for the thematically similar Goodfellas , released only five years earlier, with some reviewers criticizing Scorsese for retreading familiar territory.
The site's critical consensus reads, "Impressive ambition and bravura performances from an outstanding cast help Casino pay off in spite of a familiar narrative that may strike some viewers as a safe bet for director Martin Scorsese.
Roger Ebert gave the film four out of four, stating that "Martin Scorsese's fascinating new film Casino knows a lot about the Mafia's relationship with Las Vegas.
Like The Godfather it makes us feel like eavesdroppers in a secret place. He gave the film five stars commenting "It may not be Scorsese's greatest work, but this guy feeling a little off-colour is still far, far better than most people on fighting-fit form.
It only gets more impressive as time goes on. The film's critical profile has increased in years after its release, with several critics expressing that, in retrospect, they feel it is a more accomplished and artistically mature work than the thematically similar Goodfellas.
From Wikipedia, the free encyclopedia. For the film, see The Casino film. Theatrical release poster. Nicholas Pileggi Martin Scorsese.
Syalis D. Release date. Running time. Archived from the original on January 11, Retrieved February 21, Archived from the original on April 30, Box Office Mojo.
January 19, Archived from the original on February 1, Casino: Love and Honor in Las Vegas. Archived from the original on August 20, Retrieved September 5, De Niro: A Biography.
Scorsese on Scorsese. Las Vegas Review-Journal. Retrieved August 18, Archived from the original on October 28, Retrieved October 28, Retrieved October 19,